We build the campaign worth filming.

Based in Las Vegas, RackFocus Cinema develops the idea, the pitch, the production plan, and the film system brands can actually use. Not one-off coverage. A reason to watch.

From video vendor to creative partner.

Most companies know they need video, but they do not always know what the film should be. We bring them the concept: the story, the visual world, the campaign shape, and the production path.

The RackFocus method

A campaign deck before a camera package.

01

Concept

A sharp campaign idea built around the audience, the emotional hook, and the business outcome.

02

Treatment

The look, tone, structure, and story logic, presented like a director’s pitch.

03

Production plan

Locations, schedule, crew, deliverables, and the smartest way to execute.

04

Content system

Hero film, vertical cuts, recruitment pieces, founder stories, event recaps, paid ad cutdowns, and stills.

Prototype campaign format

One idea. Many useful assets.

The goal is to walk into a company with more than a reel. We show them the campaign they could make, then give them the confidence that RackFocus can build it.

Hero film 30s cutdown 15s social Vertical reels Founder story Recruitment clips Launch stills Landing page
Frank Todaro smiling between takes
Vertical portraits can become social-first campaign assets.
Carrie Underwood Allegiant commercial behind-the-scenes frame
Behind-the-scenes frames help sell the scale, crew, and story of the work.

Selected work

Stories, people, and places worth filming.

Where this can go first

Campaign ideas by market.

Megan Rutherford of RackFocus Cinema Steele Rutherford of RackFocus Cinema

Built by RackFocus

Directed by the idea, not the invoice.

RackFocus is led by Steele and Megan Rutherford. Steele builds the films and campaign concepts. Megan is the Eye of the Storm: 51% owner, business partner, biggest believer, and a master’s-educated force behind the company.

Woman-owned. Story-led. Built for companies that need more than a camera crew.

The pitch

Bring us the business problem.
We will bring back
the filmable idea.

A RackFocus campaign can start as a custom web deck: concept, treatment, shot plan, timeline, budget range, and launch assets. Then it becomes the production.

See the sample campaign deck

From the production company

Latest from RackFocus

Short notes from RackFocus Cinema on planning, filming, and making useful campaign content.

Ask Then Listen title above an AI-generated interview room with a chair, window and cinema camera.
Thumbnail from RackFocus Cinema’s published Short. AI-generated visuals; not a client shoot.

RackFocus Cinema · YouTube

Ask, Then Listen

In this RackFocus Cinema Short, interview craft starts with slowing down and paying attention to the person answering. Leave space after a response rather than rushing straight into the next question.

For an interview-led campaign, make room in the production plan for listening as well as coverage. A useful follow-up can reveal the detail that gives the story its direction.

RackFocus Cinema · YouTube

Ask one interview question at a time

This RackFocus Cinema note encourages a focused prompt rather than several questions bundled together. Give the interviewee time to choose a memory or detail and answer in their own words.

For a founder or documentary-style film, separate the facts you need from the way you ask for them. A brief can cover several themes while each spoken question stays focused on one moment.

RackFocus Cinema · YouTube

Build calm into the production day

RackFocus Cinema’s production note connects a calmer set with clear expectations: explain the next step, communicate why a plan changes, and make space for people to say what they need.

A campaign plan should describe how the day will run as well as what will be delivered. Share priorities with the crew, identify who can answer questions, and leave a clear route for raising concerns before they disrupt a take.

Start small

Want a campaign idea for your company?

Send the company, the audience, and the problem. We will shape the story, then decide what needs to be filmed.